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"OH WATERS, TEEM WITH MEDICINE TO KEEP MY BODY SAFE FROM HARM, SO THAT I MAY LONG SEE THE SUN." - Rig Veda
at the newly opened Ambush Club, Wichita, 1971
There I was: lemon-tinted Lennon glasses,
paisley shirt like ironed vomit, corroded
toenails dangling from Kmart sandals…
And when Otis Redding was cut off mid-chorus
from the juke, the three dozen dressed-to-the-max
black couples gazed up at me, each mouth a rictus,
as I tuned my Yamaha in a circle of light.
Close enough for folk music, I declared
and began to strum my three-chord version
of “Dock of the Bay,” a clever segue and nod to Otis,
I thought. My fingers meated through the song.
I sat on that dock watching the waves come and go
through three choruses, then plunked the final major C
with all the majesty of a hammered thumbnail.
And I saw I had stunned the crowd to silence.
Did these fine people think I was a novelty act?
If I’d expected applause, I got a voice in the back saying,
Whoa, Momma—turn on the fire hose.
And poor Dennis, the new owner and dead-ringer
Ozzie Nelson who’d heard me strum “Stewball”
and “Puff ” at the Riverside Park Folk Jamboree,
who thought I was good and knew he needed music,
was frozen behind the bar, lava lamps auguring his future:
purple bubbles rising and breaking apart
like the opening-night crowd. The juke erupted
with Otis, back on his dock. The stage lights dimmed.
Drinks on the house! I heard a voice say, Dennis’s voice,
and he pressed a twenty into my right palm. Just go,
he said. OK? I slung the guitar over my shoulder.
He opened the back door to the parking lot,
and I took my rightful place among the stars.